CEFC

Chinese Rappers React to Covid-19. Spitting Bars in the First Months of the Pandemic

“Chinese Rappers React to Covid-19. Spitting Bars in the First Months of the Pandemic” A Live Webinar on YouTube with Grégoire Bienvenu (Paris 3) Tuesday…

Read more

“Circuit Listening: Chinese Popular Music in the Global 1960s” – An online conversation with Andrew F. Jones (UC Berkeley)

“Circuit Listening: Chinese Popular Music in the Global 1960s” – An online conversation with Andrew F. Jones (UC Berkeley) Taipei Time: Friday 14 May 2021,…

Read more

4/6《絕不鬆開我的拳頭》紀錄片放映及座談會 – “Never Release My Fist” Documentary Screening and Q&A

[政治思想研究專題中心 X 法國現代中國研究中心] 《絕不鬆開我的拳頭》武漢龐克紀錄片(英文字幕) 王水泊導演紀錄片放映及座談會 主持人:馬泰然 (CEFC) 2021.04.06, 3PM 中央研究院人社中心第一會議室 “我不會曬了我手中的酒,更不會鬆開我的拳頭” 📍劇情簡介: 吳維,「生命之餅」樂團的主唱,也是武漢的龐克搖滾之父。在他影響下,武漢在90年代末成為中國的龐克之都。身處這股風潮中的「死逗樂」樂團主唱張海、「SUBS」主唱抗貓、及武漢龐克的「大眾情人」鼓手胡娟等人也在片中講述他們的生活和情感波折。如今「生命之餅」是武漢唯一存活下來的龐克樂團,而吳維和他的龐克同儕們用噪音和呐喊反抗的專制制度,卻變成一個更加強大的龐然大物⋯⋯ 📍王水泊:加拿大籍華人電影導演,其電影作品曾經獲得過奧斯卡獎提名以及許多重要的國際獎,他也是著名的古根漢姆學者獎獲得者。他一直是加拿大國家電影局的合作導演,近年來應母校中央美術學院的邀請創建了電影與影像藝術系並曾擔任系主任,現為該系的外籍教授和碩士導師。 “Never Release My Fist” – A Documentary on Wuhan Punk by…

Read more

2020.12.04: “Everything in Moderation: The DPP’s Role in Taiwan’s Post-Sunflower Movement-Party Formation”

Everything in Moderation: The DPP’s Role in Taiwan’s Post-Sunflower Movement-Party Formation Lev Nachman December 4, 2020, 15:00 Room B202, Research Center for Humanities and Social…

Read more

[CEFC Taipei] 29 June 2020 Webinar: “Politics and Aesthetics of the (Post) Pandemic Condition”

CEFC Taipei Webinar – Replay “Politics and Aesthetics of the (Post) Pandemic Condition” With Zhou Xun (University of Essex), Christos Lynteris (University of St Andrews)…

Read more

[CEFC Taipei] Legacies of Tiananmen. China, Hong Kong, Taiwan

Legacies of Tiananmen. China, Hong Kong, Taiwan 天安門事件的歷史遺緒. 中國,香港,台灣 Webinar on Jitsi Wednesday, 3 June 2020 4 PM (Taipei Time, UTC+8), 9 AM GMT Speakers:…

Read more

[CEFC Taipei X The Center for Political Thought, Academia Sinica] Sacrificed bodies, sanctified bodies: Self-immolation by fire in Tibet

Sacrificed Bodies, Sanctified Bodies: Self-immolation by Fire in Tibet  March 3, 2020 14:30 – 17:30  Conference Room 1, Research Center for Humanities and Social Sciences,…

Read more

[CEFC Taipei] Les écrits privés sous Mao Zedong: palimpseste social ou effraction de l’histoire? 毛澤東時代的私人著作 : 埋藏的社會記憶還是秘密進入中國歷史

中法文講座:毛澤東時代的私人著作 Les écrits privés sous Mao Zedong: palimpseste social ou effraction de l’histoire? De quelques questions méthodologiques soulevées par l’analyse d’une correspondance conjugale (1955-1966) 毛澤東時代的私人著作…

Read more

Taipei Special Feature Launch – Sinophone Musical Worlds (1): Circulation of Sounds, Affects and Identities

Sinophone Musical Worlds: Circulation of Sounds, Affects and Identities 華語音樂世界 ── 聲音、感染與身份認同的流轉 The special feature of China Perspectives, “Sinophone Musical Worlds: Circulation of Sounds, Affects…

Read more

[CEFC Taipei ] Sino-globalization: opportunities and pitfalls of universalism with Chinese characteristics

Sino-globalization: opportunities and pitfalls of universalism with Chinese characteristics  May 31, 2019, 14:30 – 16:30    Room B202, Research Center for Humanities and Social sciences,  Academia Sinica      …

Read more
Subscribe